Karen Hite Jacob, artistic director, harpsichord, established Carolina Pro Musica in 1977 as a not-for-profit organization. She is a graduate of University of NC, Greensboro with a masters degree from UNC-Chapel Hill . Organist for Belmont Abbey Basilica , she is instructor in music and director of Arts at the Abbey for Belmont Abbey College, Belmont, NC. Karen is founding member and past president of the Southeastern Historical Keyboard Society now Historical Keyboard Society of North America (http://historicalkeyboardsociety.org/). Her musical research, presentations and performances include the United States, Belgium, Germany, Sweden, the United Kingdom (Grosvernors' Chapel & Handel House, London) and Peru. She has guided Carolina Pro Musica trips to Poland, England, and taken students to Russia to teach music and English. She is the producer of Carolina Pro Musica's compact disks. She was guest harpsichordist with the Charlotte Symphony in October 2010. Her organ recordings ar available through FIMTE (Spain) - a part of the complete works of Antonio Cabezon in honor of his birth (1610).

Holly Maurer, viola da gamba, continuo, flauto traverso / recorder has a BA from St. Lawrence University in music and religion and MM from The New England Conservatory in performance practice of early music. She studied viola da gamba with Grace Feldman in Boston and has continued her studies with Gail Schroeder. She was in school at New England Conservatory with CPM's recorder and flute player Edward Ferrell. Holly has performed with New England Baroque ensemble and various chamber groups in Boston & New York before moving to Charlotte in 1993. Holly performed with Karen Jacob at the Boston Early Music Festival, June 1997. For many years, she performed with Carolina Baroque, has been a guest artist with several ensembles and has taught summers at Mountain Collegium. Holly also teaches music at Central Piedmont Community College, in Charlotte where she directs the Early Music classes.

Rebecca Miller Saunders, soprano, first appeared with Carolina Pro Musica in 1992 and later joined  the ensemble in 1994. She earned a Double BA in Voice and in Arts Management from Salem College, Winston-Salem, NC .  She then pursued graduate study in early music at the Institute for Early Music at Indiana University under the direction of Paul Elliott and Thomas Binkley. Rebecca has been involved in early music recordings including a commercially available CD of the music of Hildegarde von Bingen (1098-1179) with the Institute for Early Music. Rebecca also enjoys being a worship leader at Uptown Church in Charlotte and is a teacher at Covenant Day School in Matthews, NC.

Edward Ferrell holds degrees from The New England Conservatory of Music (1978, BM) and UNC- Chapel Hill (1986, M.A. in Musicology with specialty in 17th century Italian opera and vocal music). Edward plays recorder (undergraduate degree is in performance), and flauto traverso. He serves as research assistant for Carolina Pro Musica and translator of much of the vocal music. He has performed as recorder soloist in Handel operas, Bach cantatas and Britten's Noye's Fludde in the Carolinas, GA and the Boston area with the New England Dance ensemble. Having been with Carolina Pro Musica since 1979, he performed with Karen Jacob several years earlier. He has served as adjudicator for flute competitions and has taught recorder and clarinet. Ferrell was part of the contingent performing in Poland. Eddie plays guitar and mandolin. He also has performed on flute with the NC Baroque Orchestra.

Sung Lee directs the Early Music Consort, and teaches music appreciation at Central Piedmont Community College, Charlotte. A versatile musician, he brings many years of performance experience to the classrooms of Central Piedmont. Additionally, he does music with three and four-year olds at a bilingual preschool, La Escuelita, in Davidson, NC. Having earned a Master of Music degree in Early Music from Indiana University, he specializes in historical woodwind instruments—oboe, traverso, recorder, and shawm. Sung regularly performs with a number of early music ensembles around the country. As principal oboe, he has made three recordings with the Indianapolis Baroque Orchestra on the Naxos label. Sung enjoys and seeks creative processes, and finds collaborating with other creative minds energizing. Although no longer practicing either architecture or music therapy, Sung constantly draws inspiration and taps into the vast resources inherent in both fields for his own creative output.

Janelle Davis enjoys a varied career as a chamber musician, orchestral player, and soloist with various North American early-music ensembles, and has performed internationally in China, Europe, and the U.K. She has recorded for the IndieBarok label, Cedille records, IU Press, Heartland Baroque, and has been heard in programs for PBS television and live on Chicago’s WFMT classical radio. 

A devoted educator, Janelle has been a strings instructor for preschool through adult learners in private and university settings, as well as in the public schools, and as a partner with various non-profits that bring music to the elderly, and to communities underserved by the arts.

Janelle holds a doctoral degree from Indiana University where she specialized in historical violins and music from the 17th and 18th centuries. Janelle’s heroes and music mentors include her violin teachers, Stanley Ritchie, Cynthia Roberts, Julia Bushkova, Peter Isaacson, and Celeste Myall, as well as Mona Wilson and Wendy Gillespie, with whom she studied viola and viola da gamba, respectively.

Besides performing and teaching, Janelle is a writer, and worked for many years as a writer, producer, and podcast host for the syndicated early music radio program, Harmonia.  A recent transplant to Charlotte, North Carolina, she directs the Baroque Early Music Ensemble at Central Piedmont Community College, Charlotte.

David Wilson has performed extensively with period instrument ensembles in the United States and Europe. An avid chamber musician, he plays regularly with Ensemble Vermillian and Magnificat, and he is a founding member of Archetti, Florilegia, the Galax Quartet, Aurora Baroque, and other ensembles. A co-founder of the Bloomington Early Music Festival, he also performs regularly at the Boston Early Music Festival, the Berkeley Early Music Festival, and Festival Mozaic. He has taught baroque violin at Indiana University, where he earned the Doctor of Music degree in Early Music, and he holds degrees in violin from Bowling Green State University in Ohio and The Catholic University of America in Washington, D.C. His interests outside of music include cosmology, zymurgy, and science fiction (and he would love to discover a science fiction novel about a homebrewing cosmologist). He is the author of Georg Muffat on Performance Practice, published by Indiana University Press.

Canadian-British bass-baritone Andrew Mahon has appeared as a soloist across the United Kingdom, Canada, and Europe, performing both concert and operatic repertoire. Specializing in the music of Bach, recent performances include Mass in B Minor with the Tilford Bach Festival and Tenebrae & the Academy of Ancient Music; St. Matthew Passion with Westminster Abbey and St. Paul's Cathedral; St. John Passion with the London Handel Orchestra and the Orchestra of St. John's; Christmas Oratorio with Gloucester Choral Society, London Handel Orchestra, and Augsburger Domsingknaben. He recently sang Handel’s Messiah with the Calgary Philharmonic and the Edmonton Symphony, and has performed with Les Voix Baroques, Elora Festival and Gächinger Kantorei.

Jocelyn Pharr Thompson recently retired after teaching for 38 years, 30 years as a chorus teaching in the Charlotte Public Schools and 8.5 years with Eckerd Family Youth Alternatives, Inc. She earned the Bachelor of Music Education Degree, the Master of Music Education Degree, and the Master of Education in Special Education, all from UNC Greensboro. She also works at Memorial Presbyterian Church as music director/organist and teaches at the Gaston School of the Arts.

Gail Ann Schroeder Viola da Gamba,graduated from the University of Michigan with a Bachelor of Music degree in Music History. She furthered her performance studies on the viola da gamba at the Royal Music Conservatory of Brussels, Belgium, with Wieland Kuijken, obtaining her First Prize and Higher Diploma, with distinction. She subsequently taught viola da gamba, pedagogy and directed the viol consort at the Brussels Conservatory from 1988 to 2002.

Ms. Schroeder has performed extensively as soloist and with numerous ensembles including the Huelgas Ensemble, Catacoustic Consort, Combattimento Consort Amsterdam and the Alabama Symphony . She has participated in numerous radio and television productions, and on CD recordings for such labels as DHM, Sony Classical, Ricercar and Erato.

Since returning to the USA in 2006, Ms. Schroeder has been in demand as a teacher and ensemble coach at workshops for the Viola da Gamba Society of America, the Amherst Early Music Festival, Mountain Collegium and participated in the French Baroque Project at the University of Alabama. Currently living in North Carolina, she teaches privately, free-lances on viola da gamba and is artistic director of Asheville Baroque Concerts.

Steve Ellington holds a Master of Arts degree from Appalachian State University and studied music history at the University of Graz in Austria. While at Appalachian, he directed the Early Music Consort and taught as an adjunct faculty member. Long involved with sacred choral music, he has sung with choral groups in the U.S. and Europe. He is past director of the choral ensemble Cantores Pastoris which performed in the U.S. and Great Britain. Steve performed music for the installation of the abbot of Belmont Abbey in 1970. He directed Cantores Pastoris at Norwich Cathedral for mass and evensong in 1999. Currently he is composing Latin motets to be sung by Schola-Cantorum at St. Thomas Aquinas in Charlotte where he also sings on Holy Days.

His lute is a seven-course instrument built by George Kelischek of North Carolina.

John Pruett is a musician who plays both modern and baroque instruments including violin and viola.

He is regularly heard in the Carolinas from the Triangle to the Triad, in South Carolina and with El Ensamble Barroco de Arequipa in Peru. He began his involvement in the early style of music in a consort for a run of Shakespeare's Twelve Night while still in high school. Upon arrival in Philadelphia at the Curtis Institute of Music he got involved with the Ancient Instrument Society that had recently restored a Mathias Tier viola d'amore which they loaned him for 2 years.  Since then he has played in Carolina Baroque, Collegium Musicum Salem, the Magnolia Festival and North Carolina Baroque Orchestra. John has also performed many programs with a group that promotes contemporary music to be composed for Baroque instruments called Aliénor. 

In spring of 2015  he was part of the VIII Encuentro International Sobre Barroco in Arequipa Peru where he played a concert of music written in the 1600's in South America by the composer Domenico Zipoli. John appears as a guest artist on Carolina Pro Musica's CD "Following the Lamb". Other interests have led him to restore a 19th century water powered gristmill in East Bend NC.

Bob Sweeten has appeared as narrator for Carolina Pro Musica’s Christmas at St, Mary’s concerts since 2009. He has been Max on the syndicated Bob & Sheri morning radio Show that originates from WLNK in Charlotte for over 14 years. He grew up in Pennsylvania and Washington, DC and got his start in radio at a religious station in Virginia at the age of 18. In addition to his duties directing Bob & Sheri, he is active in local theater. In spring 2009, he appeared as Emperor Joseph in Amadeus, the final production of The Abbey Players 125th anniversary season, Belmont, NC.. In his 21st season as a member of the Abbey Players, he appeared as the Colonel in Journey’s End (Fall 2011). He has won two coveted Addy awards for his work in television and radio commercials.

Tom LaJoie, a native Charlottean, is the director of the Symphony at UNC Charlotte. Tom is also in his 19th year as an educator with the Charlotte-Mecklenburg Schools, having served as orchestra director at Myers Park and Butler High Schools. Tom graduated from Winthrop College in Rock Hill in 1992 Magna Cum Laude with a BM in violin performance. He received his teaching certification with a post-baccalaureate degree from UNC Charlotte. Tom has performed on period instruments with Carolina Pro Musica and the newly formed North Carolina Baroque Orchestra. Tom lives in Matthews with his wife, Heather and his two daughters Kathryn and Elizabeth

Carl DuPont is a vocalist equally engaged in performing, teaching and research. He made his first operatic performance as a boy soprano in the title role of Amahl and the Night Visitors in his hometown of Dayton Beach, Florida and has been singing ever since. He has been celebrated for his “dramatic, dark tones” (South Florida Classical Review) and his ‘lyricism that underpins every statement” (Fanfare Magazine) as Leporello in Don Giovanni, the title character in Dennis Rodman in North Korea and the title role in Approaching Ali with the Asheville Lyric Opera. He currently serves as an assistant professor of voice at the University of North Carolina at Charlotte. Highlights from his 2016-17 season include his debut with Opera Carolina as Jose Castro in La Fanciulla del West, Pontius Pilate in St. John Passion with VOX Firebird Alliance, a national tour with the American Spiritual Ensemble and a position as a Young Artist with the Glimmerglass Opera Festival. Carl was invited to participate in the Bach Competition in Leipzig, Germany in the summer of 2016 and made his debut performance with Carolina Pro Musica during 2016-17.

Alicia Chapman is Professor of Oboe at Appalachian State University. She is a member of the North Carolina Baroque Orchestra and Principal oboist of the Asheville Symphony. Chapman is an active performer in the Southeast Region on both modern and Baroque oboes, and is in demand as a teacher, coach and clinician. She enjoyed a 30 year tenure with the Harrisburg (PA) Symphony and is a founding member of Harmonia Baroque, Appalachian State's resident early music ensemble.

Allison Willet, modern violin, baroque violin, viola da gamba, viola d’amore, is active in symphonies and ensembles all throughout the southeast, frequently performing with the NC Baroque Orchestra, Atlanta Baroque Orchestra, and Mallarme. She is a founding member of Raleigh Camerata, Bull City Baroque, and the NC Baroque Orchestra. She also founded and directed Greensboro Early Music. She has appeared as a soloist with the NC Baroque Orchestra, the Winston-Salem Symphony, the Salisbury Symphony, and NC Theater. She is widely sought-after by universities as a guest lecturer, and teaches at Durham Academy. She maintains a private studio from her home in Durham where she lives with her husband and 3 cats.

Henry Trexler earned a music performance degree in double bass from UNC Charlotte. He has recorded and toured in varied genres of music such as jazz and folk. Henry taught double bass for ten years at Gardner Webb University. He is the principle bass of the Charlotte Civic Orchestra. He performs on double bass and viola da gamba in the CPCC early music ensemble. In 2016 he completed a Master of Divinity degree from Union Presbyterian Seminary

Matvey Lapin enjoys a multifaceted career as a recording artist, chamber musician, orchestra leader and teacher. His professional engagements brought him around the world, including most of Europe, Japan and Korea. A Russian native, he accomplished his conservatory training in St. Petersburg, and has completed his DM coursework in violin performance at Indiana University Jacobs School of Music, minoring in historical violins and music history. A former member of Grammy-nominated St. Petersburg String Quartet, Matvey collaborated with such musicians as Alex Kerr and Barthold Kuijken, among others. Duo Amabile, a chamber music duet formed with his wife, pianist Katya Kramer-Lapin, performs intensively across the US and Europe. As a historically informed performer, Matvey collaborates with Indianapolis Baroque Orchestra, Three Notched Road and North Carolina Baroque Orchestra, among others. A demanded teacher, Matvey currently maintains a private studio in Cary NC. Matvey records for Naxos, Oclassica and Melodiya.