Carolina Pro Musica Artists
Karen Hite Jacob, artistic director, harpsichord, established Carolina Pro Musica in 1977 as a not-for-profit organization. She is
a graduate of
University of NC, Greensboro with a masters degree from
UNC-Chapel Hill . Organist for
Belmont Abbey Basilica , she is instructor
in music and director of Arts at the Abbey for
Belmont Abbey College, Belmont, NC. Karen is
founding member and past president of the Southeastern Historical Keyboard Society now Historical Keyboard Society of North America
(http://historicalkeyboardsociety.org/). Her musical research, presentations and performances include the United States, Belgium, Germany, Sweden,
the United Kingdom (Grosvernors' Chapel & Handel House, London) and Peru. She has guided Carolina Pro Musica trips to Poland, England, and
taken students to Russia to teach music and English. She is the producer of Carolina Pro Musica's
compact disks. She was guest harpsichordist with the Charlotte Symphony in October 2010. Her
organ recordings ar available through FIMTE (Spain) - a part of the complete works of Antonio Cabezon in honor of his birth (1610).
Holly Maurer, viola da gamba, continuo, flauto traverso / recorder has a BA from
St. Lawrence
University in music and religion and MM from
The New England Conservatory in performance practice of early
music. She studied viola da gamba with Grace Feldman in Boston and has continued her studies with Gail Schroeder. She was in school at New England
Conservatory with CPM's recorder and flute player Edward Ferrell. Holly has performed with New England Baroque ensemble and various chamber groups
in Boston & New York before moving to Charlotte in 1993. Holly performed with Karen Jacob at the Boston Early Music Festival, June 1997. For
many years, she performed with Carolina Baroque, has been a guest artist with several ensembles and has taught summers at
Mountain Collegium. Holly also teaches music at
Central Piedmont
Community College, in Charlotte where she directs the Early Music classes.
Rebecca Miller Saunders, soprano, first appeared with Carolina Pro Musica in 1992 and later joined the ensemble in 1994. She
earned a Double BA in Voice and in Arts Management from
Salem College, Winston-Salem, NC . She then pursued
graduate study in early music at the
Institute for Early Music at Indiana University under the direction of Paul
Elliott and Thomas Binkley. Rebecca has been involved in early music recordings including a commercially available CD of the music of Hildegarde
von Bingen (1098-1179) with the Institute for Early Music. Rebecca also enjoys being a worship leader at Uptown Church in Charlotte and is a
teacher at Covenant Day School in Matthews, NC.
Edward Ferrell holds degrees from
The New England Conservatory of Music (1978, BM) and
UNC- Chapel Hill (1986, M.A. in Musicology with specialty in 17th century Italian opera and vocal music). Edward
plays recorder (undergraduate degree is in performance), and flauto traverso. He serves as research assistant for Carolina Pro Musica and
translator of much of the vocal music. He has performed as recorder soloist in Handel operas, Bach cantatas and Britten's Noye's Fludde in the
Carolinas, GA and the Boston area with the New England Dance ensemble. Having been with Carolina Pro Musica since 1979, he performed with Karen
Jacob several years earlier. He has served as adjudicator for flute competitions and has taught recorder and clarinet. Ferrell was part of the
contingent performing in Poland. Eddie plays guitar and mandolin. He also has performed on flute with the NC Baroque Orchestra.
Gail Ann Schroeder
Viola da Gamba,graduated from the University of Michigan with a Bachelor of Music
degree in Music History. She furthered her performance studies on the viola da gamba at the
Royal Music Conservatory of Brussels, Belgium, with Wieland Kuijken, obtaining her First Prize
and Higher Diploma, with distinction. She subsequently taught viola da gamba, pedagogy and
directed the viol consort at the Brussels Conservatory from 1988 to 2002.
Ms. Schroeder has performed extensively as soloist and with numerous ensembles including
the Huelgas Ensemble, Catacoustic Consort, Combattimento Consort Amsterdam and the
Alabama Symphony . She has participated in numerous radio and television productions, and
on CD recordings for such labels as DHM, Sony Classical, Ricercar and Erato.
Since returning to the USA in 2006, Ms. Schroeder has been in demand as a teacher and
ensemble coach at workshops for the Viola da Gamba Society of America, the Amherst Early
Music Festival, Mountain Collegium and participated in the French Baroque Project at the
University of Alabama. Currently living in North Carolina, she teaches privately, free-lances on
viola da gamba and is artistic director of Asheville Baroque Concerts.
Sung Lee, a versatile musician, plays historical oboes, traverso, and recorder. He is the
principal oboist of the Indianapolis Baroque Orchestra, and regularly performs with the
North Carolina Baroque Orchestra, Bach Collegium-Fort Wayne, Alchymy Viols, and
Bourbon Baroque. Sung can be heard on the Indianapolis Baroque Orchestra's recent
recording releases on the Naxos label, The Colorful Telemann, The Versailles
Revolution and The Lully Effect.
Passionate about human relationships, Sung worked in architecture, and practiced
music therapy before pursuing music performance. Currently, he is on faculty at Central
Piedmont Community College in Charlotte where he directs the Early Music Consort.
Offstage, Sung treasures his time with his family playing with rockets and Legos, taking
pictures, and visiting neighborhood playgrounds and libraries.
Janelle Davis
enjoys a varied career as a chamber musician, orchestral player, and soloist with
various North American early-music ensembles, and has performed internationally in China,
Europe, and the U.K. She has recorded for the IndieBarok label, Cedille records, IU Press,
Heartland Baroque, and has been heard in programs for PBS television and live on Chicago’s
WFMT classical radio.
A devoted educator, Janelle has been a strings instructor for preschool through adult learners in
private and university settings, as well as in the public schools, and as a partner with various
non-profits that bring music to the elderly, and to communities underserved by the arts.
Janelle holds a doctoral degree from Indiana University where she specialized in historical
violins and music from the 17th and 18th centuries. Janelle’s heroes and music mentors include
her violin teachers, Stanley Ritchie, Cynthia Roberts, Julia Bushkova, Peter Isaacson, and
Celeste Myall, as well as Mona Wilson and Wendy Gillespie, with whom she studied viola and
viola da gamba, respectively.
Besides performing and teaching, Janelle is a writer, and worked for many years as a writer,
producer, and podcast host for the syndicated early music radio program, Harmonia. A recent
transplant to Charlotte, North Carolina, she directs the Baroque Early Music Ensemble at Central
Piedmont Community College, Charlotte.
Steve Ellington holds a Master of Arts degree from Appalachian State University and studied music history at the University of Graz in Austria. While at Appalachian, he directed the Early Music Consort and taught as an adjunct faculty member. Long involved with sacred choral music, he has sung with choral groups in the U.S. and Europe. He is past director of the choral ensemble Cantores Pastoris which performed in the U.S. and Great Britain. Steve performed music for the installation of the abbot of Belmont Abbey in 1970. He directed Cantores Pastoris at Norwich Cathedral for mass and evensong in 1999. Currently he is composing Latin motets to be sung by Schola-Cantorum at St. Thomas Aquinas in Charlotte where he also sings on Holy Days.
His lute is a seven-course instrument built by George Kelischek of North Carolina.
Jocelyn Pharr Thompson recently retired after teaching for 38 years, 30 years as a
chorus teaching in the Charlotte Public Schools and 8.5 years with Eckerd Family Youth
Alternatives, Inc. She earned the Bachelor of Music Education Degree, the Master of
Music Education Degree, and the Master of Education in Special Education, all from
UNC Greensboro. She also works at Memorial Presbyterian Church as music
director/organist and teaches at the Gaston School of the Arts.
John Pruett is a musician who plays both modern and baroque instruments including violin and viola.
He is regularly heard in the Carolinas from the Triangle to the Triad, in South Carolina and with El Ensamble Barroco de Arequipa in Peru. He began his involvement in the early style of music in a consort
for a run of Shakespeare's Twelve Night while still in high school. Upon arrival in Philadelphia at the Curtis Institute of Music he got involved with the Ancient Instrument Society that had recently
restored a Mathias Tier viola d'amore which they loaned him for 2 years. Since then he has played in Carolina Baroque, Collegium Musicum Salem, the Magnolia Festival and North Carolina Baroque Orchestra.
John has also performed many programs with a group that promotes contemporary music to be composed for Baroque instruments called Aliénor.
In spring of 2015 he was part of the VIII Encuentro International Sobre Barroco in Arequipa Peru where he played a concert of music written in the 1600's in South America by the composer Domenico Zipoli.
John appears as a guest artist on Carolina Pro Musica's CD "Following the Lamb". Other interests have led him to restore a 19th century water powered gristmill in East Bend NC.
Bob Sweeten
has appeared as narrator for Carolina Pro Musica’s Christmas at St, Mary’s concerts since 2009. He has been Max on the syndicated Bob &
Sheri morning radio
Show that originates from WLNK in Charlotte for over 14 years. He grew up in
Pennsylvania and Washington, DC and got his start in radio at a religious station in Virginia at the age of 18. In addition to his duties directing
Bob & Sheri, he is active in local theater. In spring 2009, he appeared as Emperor Joseph in Amadeus, the final production of The Abbey Players
125th anniversary season, Belmont, NC.. In his 21st season as a member of the Abbey Players, he appeared as the Colonel in Journey’s End (Fall
2011). He has won two coveted Addy awards for his work in television and radio commercials.
Tom LaJoie, a native Charlottean, is the director of the Symphony at UNC Charlotte. Tom is also in his 19th year as an educator with the
Charlotte-Mecklenburg Schools, having served as orchestra director at Myers Park and Butler High Schools. Tom graduated from Winthrop
College in Rock Hill in 1992 Magna Cum Laude with a BM in violin performance. He received his teaching certification with a
post-baccalaureate degree from UNC Charlotte. Tom has performed on period instruments with Carolina Pro Musica and the newly formed
North Carolina Baroque Orchestra. Tom lives in Matthews with his wife, Heather and his two daughters Kathryn and Elizabeth
Carl DuPont is a vocalist equally engaged in performing, teaching and research. He made his first operatic performance as a boy soprano in the title role of Amahl and the Night Visitors in his hometown of Dayton Beach, Florida and has been singing ever since. He has been celebrated for his “dramatic, dark tones” (South Florida Classical Review) and his ‘lyricism that underpins every statement” (Fanfare Magazine) as Leporello in Don Giovanni, the title character in Dennis Rodman in North Korea and the title role in Approaching Ali with the Asheville Lyric Opera. He currently serves as an
assistant professor of voice at the University of North Carolina at Charlotte. Highlights from his 2016-17 season include his debut with Opera Carolina as Jose Castro in La Fanciulla del West, Pontius Pilate in St. John Passion with VOX Firebird Alliance, a national tour with the
American Spiritual Ensemble and a position as a Young Artist with the Glimmerglass Opera Festival. Carl was invited to participate in the Bach Competition in Leipzig, Germany in the summer of 2016 and made his debut performance with Carolina Pro Musica during 2016-17.
Alicia Chapman is Professor of Oboe at
Appalachian State University. She is a member of the North Carolina Baroque Orchestra and Principal oboist of the Asheville Symphony. Chapman is an active performer in the Southeast Region on both modern and Baroque oboes, and is in demand as a teacher, coach and clinician. She enjoyed a 30 year tenure with the Harrisburg (PA) Symphony and is a founding member of Harmonia Baroque, Appalachian State's resident early music ensemble.
Allison Willet, modern violin, baroque violin, viola da gamba, viola d’amore, is active in symphonies and ensembles all throughout the southeast, frequently performing with the NC Baroque Orchestra, Atlanta Baroque Orchestra, and Mallarme. She is a founding member of
Raleigh Camerata,
Bull City Baroque, and the NC Baroque Orchestra. She also founded and directed Greensboro Early Music. She has appeared as a soloist with the NC Baroque Orchestra, the Winston-Salem Symphony, the Salisbury Symphony, and NC Theater. She is widely sought-after by universities as a guest lecturer, and teaches at Durham Academy. She maintains a private studio from her home in Durham where she lives with her husband and 3 cats.
Henry Trexler
earned a music performance degree in double bass from UNC Charlotte. He has recorded and toured in varied genres of music such as jazz and folk. Henry taught double bass for ten years at Gardner Webb University. He is the principle bass of the Charlotte Civic Orchestra. He performs on double bass and viola da gamba in the CPCC early music ensemble. In 2016 he completed a Master of Divinity degree from Union Presbyterian Seminary
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